Shankaboot is an interactive video series on the Web or a Web series filmed in Beirut, the Lebanese capital. In other words, Web dramas emerge largely from the interaction between the narrator and his or her audience. The fourth and fifth seasons were released in This page was last edited on 9 October , at Being a Web series, Shankaboot was freed from the usual limitations applied to TV programs but had to conform to the formatting needs of the Internet. Please check the address or use the links below to access the requested content. This page is not available. Press Media in the Middle East:
From the same author. In other words, Web dramas emerge largely from the interaction between the narrator and his or her audience. Produced in the Lebanese Arab dialect, it handles social topics that are taboo in the Arab world and opens the gates to an exchange of opinions amongst young Web users in the region. Each episode is accompanied by a short comedy show, Waheed El-Booz , which presents the twists and turns in the life of a Beiruti electrician named Booz. Shankaboot was an interactive web-based video series filmed in and around Beirut , Lebanon. The impact of K-pop is today felt beyond the borders of its At the Digital Emmys , it was awarded the top digital fiction prize in the category Digital Program:
Writing reports no ethical problem to be brought to the attention of users on this article. Obstacles and future prospects Web dramas and the Shankaboot project in particular face a number of obstacles in the Arab world, such as the slowness of Internet connections compared to international standards, hacking attacks, censorship and the lack of funding for local productions.
Shankaboot follows Suleiman, a year-old, delivery boy. Views Read Edit View history. Digital Tech How to reconcile traditional publishing and e-publishing? Furthermore, imagination, even creativity, constitute — according to the producers of Shankaboot and many other young Lebanese and Arabs up to speed on digital storytelling — a major challenge to the Turkish and South American programmes for which the cost of dubbing into Arabic remains below that of a local quality production.
This series was launched in March and portrays the daily life of young Beirut residents like Sleimane, a year-old courier who roams Beirut and its suburbs on his scooter, called Shankaboot; Roueida, a young woman who fled a violent husband and is trying to become a singing star; Chadi, her best friend with a shady background, etc.
Shankaboot, or the Unprecedented Success of a Web drama in the Arab World
As for censorship, it is still practised by several governments in the Arab world and the Middle East. A veritable first eposode the Arab world, Shankaboot is an interactive series aired only on the Web.
The dialogues are in Lebanese dialect and the plots attract an audience of young people keen to get away from locally-produced televised series and imported series — Turkish and Mexican particularly — dubbed into literary Arabic.
It has more than 10 years experience in supporting independent media including television series, radio programmes and training episodf journalism. From Algiers to Damascus, it could be the next big thing on the Arab-language Web. Web dramas began in with the airing of the American series The Spotand appear in various formats — series, serials, one-offs. The debate on women and the adherence to particular faiths, addressed by Web users on the Shankaboot Facebook page, reveals the existence of many stereotypes, and the consequent urgency of promoting respect for religious and cultural diversity and creating conditions conducive to greater dialogue.
This page was last edited on 9 Octoberat However, the movement is only just beginning, and we will have to prove that there is potential for the long-term survival of the local transmedia productions and new storytelling genres up against the traditional mentality of the entertainment and media industry. The most popular has been viewed over 60, times. Episodr third season was filmed again in Beirut during July The impact of K-pop is today felt beyond the borders of its The project won the prize for best online content in the Arab world in the entertainment and games category of the World Summit Awardan initiative of the United Nations.
Produced in the Lebanese Arab dialect, it handles social topics that are taboo in the Arab world and opens the gates eppisode an exchange of opinions amongst young Web users in the region.
Shankaboot () – IMDb
This is a new narrative technique known as Digital Interactive Storytelling. Dreamland videoor even Girl Number Nine. The production house bore in mind the unsatisfactory Internet connections currently available in Lebanon for quick and effective downloading of the episodes. The dematerialization of information, normally thought to This is particularly what the Shankaboot project, the first Web drama series in the Arab world, has to offer. The official launch of Shankaboot will take place on June 12 in Beirut, and a large concert with many Lebanese artists has been planned for the occasion.
This platform enabled Shankaboot viewers to participate in creating their own stories through various media and visual means. Consequently, what is to be feared is a loss of values in terms of narrative innovation and editorial input, as is the case with digital storytelling when produced by brands whose primary objective is to serve their own interests — unless they are not the originators of the creative process, but associate their image with the transmedia experience proposed to the public.
The question of financing independent local productions remains unsolved. Moreover, one of the messages carried by the Shankaboot project is the importance of information and communication technologies in constructing a climate for dialogue and building bridges for understanding.
Shankaboot – Episode I am Sultan Beik – Closed Captions by CCTubes
From Wikipedia, the free encyclopedia. Other characters include year-old Ruwaida and the mysterious something Chadi. This page is not available. Web seriesdramacomedy.
Shankaboot is the first Web drama project that it has financed. Digital interactive storytelling commonly encourages the listener or user to become a joint creator via amateur contribution to enrich the narrative universe, beyond simply pasting on comments and photos.